{"title":"Preamps","description":"\u003cp\u003eA \u003cstrong\u003epreamp\u003c\/strong\u003e takes a low-level signal — like from a \u003cstrong\u003emic\u003c\/strong\u003e, \u003cstrong\u003eguitar pickup\u003c\/strong\u003e, or \u003cstrong\u003eturntable\u003c\/strong\u003e — and \u003cstrong\u003eamplifies it to line level\u003c\/strong\u003e so the rest of your gear can work with it cleanly and without noise.\u003c\/p\u003e","products":[{"product_id":"mxr-bass-preamp-m81-48899","title":"MXR - Bass Preamp M81","description":"Bass Preamp \n                         M81 \n                         Separate INPUT \u0026amp; OUTPUT level controls 3-band EQ section with sweepable midrange Studio-quality Direct Out\u003cp\u003e\u003c\/p\u003eThe MXR Bass Preamp combines a pristine bass preamp with a studio-quality Direct Out in a Phase 90-sized box, providing clear tone without hogging precious pedalboard space. Use it to add a new voice to an old passive bass, sweeten up any amp, or put some special sauce on a particular song. Dial it in just the way you want it and send it straight to the house—pre or post-EQ—with the built-in Direct Out. \n \n The Bass Preamp features separate INPUT and OUTPUT level controls and a 3-band EQ section with sweepable midrange—from 250hz to 1khz—for extensive tonal flexibility. It’s all delivered super clean with high headroom thanks to our own Constant Headroom Technology™, and you can use the PRE\/POST EQ switch to set whether or not your Direct Out signal is affected by the Bass Preamp’s EQ section. And of course, the Bass Preamp features a GROUND LIFT switch in case you encounter ground loop hum. \n \n The Bass Preamp is factory preset to operate in ¼” out buffered bypass and Direct Out active. For players who only want to use the ¼” out, there are two internal switches that disable the Direct Out and ¼” out buffered bypass for true ¼” out bypass mode.","brand":"MXR","offers":[{"title":"Default Title","offer_id":40977570988106,"sku":"48899","price":311.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/7113\/6842\/files\/48899.png?v=1766686084"},{"product_id":"mxr-echoplex-preamp-ep101-48900","title":"MXR - ECHOPLEX® PREAMP EP101","description":"\u003cp\u003eWhen the Echoplex® EP-3 came out, guitar players were hooked by the way its preamp sweetened up their sound. Soon, the EP-3 made its way onto the records of top guitar players-from Jimmy Page to Eddie Van Halen and Eric Johnson-as much for its tone conditioning ability as its tape echo effect. Now, you can put the EP-3's legendary secret sauce right on your pedalboard.\u003c\/p\u003e\n\n\u003cp\u003eDunlop's EP101 Echoplex Preamp recreates the magic of the EP-3's front end, featuring a Field-effect Transistor (FET) just like the original and following the exact same signal path. The Gain control allows you to boost your signal by up to +11dB, with light asymmetrical clipping at higher settings for a bit of nice organic grit.\u003c\/p\u003e\n\n\u003cp\u003eThe Echoplex Preamp runs on standard 9-volt power and contains power management circuitry to guarantee constant headroom performance throughout the normal life of a 9-volt battery. With a heavy-duty Phase 90-sized housing, a replica EP-3 knob, true bypass switching and a status LED, the Echoplex Preamp is built to take a beating on the road so you can leave your fragile vintage piece at home.\u003c\/p\u003e","brand":"MXR","offers":[{"title":"Default Title","offer_id":40977907253322,"sku":"48900","price":251.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/7113\/6842\/files\/48900.jpg?v=1766671820"},{"product_id":"mxr-m281-thump-bass-preamp-8971","title":"MXR - M281 Thump Bass Preamp","description":"\u003cp\u003eAll the tone-sweetening versatility bass players need in an MXR mini housing\n\u003cbr\u003eCombines the Echoplex Preamp with a three-band EQ and mid-frequency adjustment\n\u003cbr\u003ePunch up a solo, boost your live signal, or sculpt a more aggressive edge onto a passive sound\u003c\/p\u003e","brand":"MXR","offers":[{"title":"Default Title","offer_id":40978514673738,"sku":"8971","price":261.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/7113\/6842\/files\/8971.jpg?v=1766663641"},{"product_id":"darkglass-alpha-omega-ultra-15541","title":"Darkglass - Alpha·Omega Ultra","description":"\u003cp\u003eThe Alpha·Omega Ultra is the most versatile bass preamplifier we’ve designed: With its two distinct distortion circuits (Alpha and Omega), extremely high dynamic range, six-band active graphic EQ, dedicated headphone output and balanced direct output with switchable digital impulse-response cabinet emulation make for an incredibly complete tool for the modern bass player.\u003c\/p\u003e","brand":"Darkglass","offers":[{"title":"Default Title","offer_id":40979120848970,"sku":"15541","price":652.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/7113\/6842\/files\/15541.jpg?v=1766648679"},{"product_id":"jhs-pedals-clover-preamp-eq-15990","title":"JHS Pedals - Clover Preamp \/ Eq","description":"\u003cp\u003eIn early 1984 BOSS released two strange new devices under the name “The Pocket Series”. One of those devices was the FA-1 FET Preamp and it quickly found its rightful place among the legends of tone when The Edge of U2 used it on the recording of “Unforgettable Fire” as well as placing it in his following touring rigs. The Clover Preamp\/Boost is our faithful interpretation of the FA-1 but with several additional features that we believe make this amazing circuit even better. You won’t want to be without your lucky tone-shaper at any gig!\n\u003cbr\u003eCONTROLS\n\u003cbr\u003eThe Clover has four standard controls and one rotary switch on the top. The Volume control allows you to set your volume at unity or as a boost to push your amp or dirt pedals. There are three EQ controls to give you tons of control to cut or boost Bass, Mids, and Treble. The rotary switch has three settings: Full EQ, No Mid, and No EQ. When set to Full EQ all three EQ controls are in operation, giving you full control over the full range of EQ available. The No Mid setting is an exact replica of the original FA-1, removing the ability to control the Mids and leaving them in a fixed setting. When in the No EQ mode all the EQ settings are removed and the Clover becomes a straight FET boost, perfect for pushing an amp. On the right side of the pedal there is a Low Cut dip switch. This removes some of the lows if you feel your tone is too muddy and can help you cut through a mix.\n\u003cbr\u003eXLR OUTPUT CAPABILITIES\n\u003cbr\u003eIn addition to the standard 1\/4” input and output, the Clover has an XLR output for using as an acoustic or bass preamp. These can be used individually or simultaneously if you want to go to a sound board or interface as well as an amplifier. The XLR output was designed with acoustic and bass players in mind as the Clover is a wonderful preamp that gives you a great amount of control over your sound. There is also a ground lift if you experience some hum when using the XLR output.\n\u003cbr\u003eEND ALL BE ALL\n\u003cbr\u003eThe Clover is an end all preamplifier \/ boost circuit for any electric, acoustic, or bass player. The EQ is simple, powerful and doesn’t allow a bad sound. No matter what style of music you play or amp that you use, the Clover will prove to be an indispensable tool. While the Clover excels at being a preamp \/ boost for dirt pedals, the magic is in pushing your tube amplifier into natural overdrive. The EQ lets you hit the exact spot that your amp is naturally prone to give in at. Push your small wattage amp into natural rich overdrive and distortion or find sounds in your larger more powerful wattage amp that you have never heard before. Strat and Tele players can use the Clover to create extra punch, depth and dynamics that single coil pickups can’t normally achieve, while Les Paul and humbucker players can find clarity, bite and definition galore! From country, rock, metal and even acoustic… The Clover covers every base. Find your unforgettable tone with the luck of the Clover!\n\u003cbr\u003eIn-depth Specs:\n\u003cbr\u003eThe XLR output is identical to the 1\/4” output. \n\u003cbr\u003eHas up to +24dB of gain (X16.4) (EQ Flat). \n\u003cbr\u003eTreble +\/- 15dB shelving filter at 10kHz \n\u003cbr\u003eMiddle +\/- 15dB peaking filter at 1.3kHz \n\u003cbr\u003eBass +\/- 15dB shelving filter at 270Hz (3dB freq) \n\u003cbr\u003eLo cut engaged -3dB point at 212Hz \n\u003cbr\u003eInput impedance \u0026gt;1M ohm \n\u003cbr\u003eOutput impedance = 520ohms \n\u003cbr\u003eCurrent draw at idle = 45.5mA\n\u003cbr\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 45.5MA, AND MEASURES 2.6\"X4.8\"X1.6\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":40979130384458,"sku":"15990","price":285.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/7113\/6842\/files\/15990.jpg?v=1766646360"},{"product_id":"jhs-pedals-colour-box-v2-preamp-eq-overdrive-distortion-fuzz-di-box-15989","title":"JHS Pedals - Colour Box V2 Preamp \/ Eq \/ Overdrive \/ Distortion \/ Fuzz \/ Di Box","description":"\u003cp\u003eIn 2012, I had a crazy idea for a tone shaping device that had never been done before in the world of guitar pedals. I wanted to create an effects pedal that replicated the hard to achieve sounds of \"direct-in\" electric guitar recordings that I loved. Bands like the Beatles, Spoon, Wilco, and Steely Dan had used this technique for years, but it was nearly impossible to recreate live.\n\u003cbr\u003eI wanted this pedal to transform my guitar rig into the tonal equivalent of a Neve studio console, and that was no small task. After lots of trial and error, experimentation, and re-works, this concept evolved into something far beyond what we had imagined.\n\u003cbr\u003eIn 2014 as we filmed the first demo videos at Abbey Road Studios in London and this idea had evolved into the most unique product we had ever made. The Colour Box was a full-fledged studio-grade preamplifier, EQ, and distortion generator with multi-instrument compatibility. It did what I had always wanted it to do, but it did so much more!\n\u003cbr\u003eOn its release day, I wasn't quite sure how it would be accepted, but I knew that I loved it. As a few months went by, we saw something amazing begin to happen; this pedal was showing up in all types of environments. Producers, engineers, and artists were emailing us, tagging us on socials and showing how they had put the Colour Box to use. Studio vocals, live vocals, kick drums, acoustic guitars, bass, keys, overhead drums, stereo bus's, room mics, synths, re-amps, and some incredibly large stage setups had it on almost every instrument! This unit can be heard on dozens of recordings from U2, Wilco, The National, Spoon, Collective Soul, Muse, to War on Drugs, and Phantogram amongst others. As proud of this pedal as we were, we wanted to make it better, so we did. – Josh Scott\n\u003cbr\u003eversion 2 emerges\n\u003cbr\u003eThe Colour Box V2 has all the same functionality of the V1 with many new and improved additions like expanded EQ controls, a Hi\/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics.\n\u003cbr\u003eThe most significant improvements are:\n\u003cbr\u003eAddition of an Output transformer\n\u003cbr\u003eSafely Passes 48v Phantom Power\n\u003cbr\u003eEQ Shift Knobs for precision EQ control\n\u003cbr\u003eHi\/Lo Switch for ultra clean headroom\n\u003cbr\u003e100% available clean signal even on acoustic guitar\n\u003cbr\u003eSilent switching, aka no \"switch-pop\"\n\u003cbr\u003eRuns on standard 9V DC Neg power\n\u003cbr\u003efeatures \u0026amp; controls\n\u003cbr\u003eThe Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a \"drive\" or \"gain\" control, adding more grit, distortion, and even fuzz as you increase the gain.\n\u003cbr\u003eThe Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18 dB, 2nd is +23 dB, 3rd is +28 dB, 4th is +33 dB, 5th is +39 dB.\n\u003cbr\u003eThe Colour Box V2 has a new Hi \/ Lo switch to control the amount of clean headroom you have available. In the Lo mode, you will easily be able to get ultra clean sounds without breakup. Lo Mode is excellent for tone shaping when distortion is not needed. In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion, and fuzz sounds.\n\u003cbr\u003eIn addition to the Hi \/ Lo gain switch, there is a -20dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high output microphones.\n\u003cbr\u003eMOST POWERFUL EQ YET\n\u003cbr\u003eThe EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls. The classically labeled EQ knobs adjust the amount of frequencies that get boosted and cut, while the Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control.\n\u003cbr\u003eEQ Functions\n\u003cbr\u003eTreble Knob - Cut\/Boost Control +\/-15dB flat at noon. CCW cuts, CW boosts.\n\u003cbr\u003eMiddle Knob - Cut\/Boost Control +\/- 10dB flat at noon. CCW cuts, CW boosts.\n\u003cbr\u003eBass Knob - Cut\/Boost Control +\/-15dB flat at noon. CCW cuts, CW boosts.\n\u003cbr\u003eFrequencies controlled by EQ Shift Knobs:\n\u003cbr\u003eTreble Shift - 2kHz to 30kHz – CCW lowers the center Freq, CW raises the center Freq.\n\u003cbr\u003eMiddle Shift - 150Hz to 2.4kHz – CCW lowers the center Freq, CW raises the center Freq.\n\u003cbr\u003eBass Shift - 20Hz to 440Hz – CCW lowers the center Freq, CW raises the center Freq.\n\u003cbr\u003eThe Hi-Pass section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob. The HPF is a 2nd order 6dB per octave highpass filter. The -3dB cutoff freq (The Frequency at which the filter starts to act) can be adjusted from 160Hz to 650Hz.\n\u003cbr\u003eXLR AND OUTPUT\n\u003cbr\u003eThe Colour Box V2 has a combination XLR and 1\/4\" input jack to use either an instrument or microphone. Select your input with the input selector switch on the right side of the pedal labeled INST\/XLR.\n\u003cbr\u003eThe Colour Box v2 runs only on standard 9V DC Negative power (do not plug in anything greater than 9v) and measures 5.7” x 3.75” x 1.85\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":40979130417226,"sku":"15989","price":645.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/7113\/6842\/files\/15989.jpg?v=1766646356"},{"product_id":"jhs-pedals-crayon-preamp-distortion-fuzz-15997","title":"JHS Pedals - Crayon Preamp \/ Distortion \/ Fuzz","description":"\u003cp\u003eLittle brother to the Colour Box\n\u003cbr\u003eThe JHS Pedals Colour Box began with a simple idea: create a pedal that sounds like plugging directly into a vintage preamp and cranking it. No amp, no speaker, just DI goodness. Well, the Colour Box became much more as we got into designing it. Thus we decided it was time to pare it down and give guitar players and bass players a simplified version that gives you the distinct compressed overdrive and fuzz sounds you’ve heard on so many classic recordings. The Crayon is just that, a powerful little box that has all the color and characteristics of a vintage studio preamp when cranked.\n\u003cbr\u003eControls\n\u003cbr\u003eThe Crayon has controls for Master, Pre-Vol, Tilt, and a Hi-Pass toggle. The Master volume controls the overall volume of the unit, while the Pre-Vol acts as a gain control to go from a gritty preamp drive to over-the-top gated fuzz. These controls work together to create a ton of colorful tones that are extremely useful. The Tilt control is an active EQ where when set at 12 o’clock you have a flat EQ, while turning clockwise boosts highs and cuts bass, and turning counterclockwise boosts bass and cuts highs. This gives the Crayon the ability to be tailored to any rig for bass or guitar. The Hi-Pass toggle cuts your low end with a flick of the switch for the ability to cut through the mix or get lo-fi sounds. There is a dip switch on the right side of the pedal to choose either 200Hz or 750Hz cut for the Hi-Pass.\n\u003cbr\u003eFeatures\n\u003cbr\u003e- Preamp DI tones from low gain grit to gated fuzz.\n\u003cbr\u003e- Active EQ for the perfect tones on bass or guitar.\n\u003cbr\u003e- Hi-Pass for lo-fi AM radio sounds.\n\u003cbr\u003e- Paint with all the colors of the wind.\n\u003cbr\u003eThe JHS Pedals Crayon is without a doubt the brightest crayon in the box that will give your tone all the color you need!\n\u003cbr\u003eThis pedal requires standard 9V DC Negative power, consumes 15mA, and measures 2.6\"x4.8\"x1.6\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":40979130449994,"sku":"15997","price":285.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/7113\/6842\/files\/15997.jpg?v=1766646354"},{"product_id":"jhs-pedals-haunting-mids-preamp-eq-15991","title":"JHS Pedals - Haunting Mids Preamp \/ Eq","description":"\u003cp\u003eAre you on the search for scary good tone? Does your spine tingle at the thought of a tone that can cut through any mix like a butcher’s knife? Do you have nightmares about muddy guitars that lack clarity and create phantom lead lines that no one can hear? Well, don’t stand there frozen by fear, we here at JHS Pedals have a pedal that gives you the tone that has long eluded your white knuckled grasp: the Haunting Mids. The Haunting Mids is a frightfully effective Sweepable-Mids EQ Preamp that can turn any amp or pedal into a ghastly monster. With it’s ability to sweep mids and then boost or scoop them, you can find the tone that haunts your imagination.\n\u003cbr\u003econtrols \u0026amp; features\n\u003cbr\u003eThe controls on the Haunting Mids are Volume, Mids, Sweep, and a Lo\/Hi toggle. The Volume acts as a standard volume control to be able to set at unison or boost the signal. The Mids and Sweep controls work very closely together so you can find the perfect frequencies to boost or scoop mid frequencies. When the Mids knob is at 12 o'clock, no frequencies are boosted or scooped. Turning the Mids knob to the left of 12 o'clock will begin to scoop out midrange frequencies, while turning the Mids knob to the right of 12 o'clock will begin to boost midrange frequencies. The Sweep knob controls what frequencies will be affected. Sweep knob to the left will cause low-mids to be affected, while Sweep knob to the right will cause hi-mids to be affected. The Lo\/Hi toggle is like a \"Q\" function and controls how sharp the frequency peak is that you’re affecting with the Mids knob. \"Lo\" is a softer and wider peak for slightly subtler effect as you tweak the Mids\/Sweep knobs. \"Hi\" is a sharper and steeper peak giving you a very pointed and defined effect as you tweak the Mids\/Sweep knobs.\n\u003cbr\u003eThis pedal is fantastic on an almost-breaking-up amp to send it into midrange tube driven heaven, or with an overly scooped distortion to give you the bite you need to cut through with every \"djent,\" blues lick, rock riff, or lead line. It's also excellent for taming an overly mid-heavy amp or pedal rig. The Haunting Mids is not an overdrive pedal, it’s a Mids pedal that when paired with an overdrive, will make you scream for more of this friendly ghost.\n\u003cbr\u003e– Simple yet effective tool to boost\/cut the perfect amount of midrange frequencies. \n\u003cbr\u003e– Sweepable midrange frequency to find the perfect EQ to slice through any mix. \n\u003cbr\u003e– Turn any amp or pedal into a totally different ghastly monster. \n\u003cbr\u003e– Don’t forget the Volume BOOOOOOst.\n\u003cbr\u003eSo go and wake the undead with the ghostly sounds of the Haunting Mids!\n\u003cbr\u003eSPECS\n\u003cbr\u003e- Will boost +10dB with EQ flat \n\u003cbr\u003e- Total Harmonic Distortion 0.007% \n\u003cbr\u003e- Signal to noise ration 83dB \n\u003cbr\u003e- +\/- 15dB boost or cut \n\u003cbr\u003e- Sweepable center frequency from 400Hz to 7.5kHz \n\u003cbr\u003e- Switchable Q (LO-gentle broad, HI-peaking tight)\n\u003cbr\u003eThis pedal requires standard 9V DC Negative power, consumes 13mA, and measures 2.6\"x4.8\"x1.6\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":40979130581066,"sku":"15991","price":215.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/7113\/6842\/files\/15991.jpg?v=1766646342"},{"product_id":"jhs-pedals-pulp-n-peel-v4-compressor-preamp-di-box-15988","title":"JHS Pedals - Pulp N Peel V4 Compressor \/ Preamp \/ Di Box","description":"\u003cp\u003eThe Pulp ‘N’ Peel V4 is the truly transparent compressor pedal you’ve been hoping for and much more. Its smooth-sounding parallel compression circuit offers you the power to blend in your ideal balance of compressed and uncompressed signal. You’re able to add a touch of grit to your tone thanks to the pedal’s Dirt mini toggle. Also, whether you’re a bassist sending your signal direct or a guitarist running the Pulp ‘N’ Peel on your pedalboard, the pedal’s ¼” and balanced XLR outputs have you covered. This compressor\/preamp pedal sports a ton of tone-shaping power. So no matter what your compression needs, the Pulp ‘N’ Peel V4 is your go-to solution.\n\u003cbr\u003eThe exact compression you’ve been waiting for\n\u003cbr\u003eWe know how much effort you put into getting your tone exactly right. That’s why we worked extremely hard to ensure the Pulp ‘N’ Peel V4 maintains your instrument’s natural attack, has a very low noise floor, and adds a professional polish to every chord, lead line, and note that blooms out of your amplifier.\n\u003cbr\u003e- Improved detection circuit for smoother tones with added sustain \n\u003cbr\u003e- Active EQ control that cuts or boosts high end \n\u003cbr\u003e- Parallel Blend control balances your compressed and uncompressed signals\n\u003cbr\u003eWarm studio-style grit to help you cut through\n\u003cbr\u003eWhether you’re looking to warm up your sound in the studio or want to add some grind for the stage, flip the Dirt mini toggle and you’re there. Want to push your amp hard for even more grind? The V4 has been improved with greatly increased headroom and output on the volume control.\n\u003cbr\u003e- Dirt voiced to go from warm tone enhancement to gritty tonal foundation \n\u003cbr\u003e- Low-profile gain control is safely located on the side of the pedal \n\u003cbr\u003e- Works especially great on bass \n\u003cbr\u003e- Increased output works as a fantastic full-frequency boost\n\u003cbr\u003eOnstage, in the studio, or anywhere else\n\u003cbr\u003eNo matter what electric instrument you play, we’ve outfitted the Pulp ‘N’ Peel compressor\/preamp pedal with enough connectivity options to make it your go-to compressor in the studio, on your pedalboard, at home, or anywhere else.\n\u003cbr\u003e- Standard ¼” instrument input and output \n\u003cbr\u003e- XLR\/DI balanced output for going direct to the board or interface (Try it on acoustic and bass!) \n\u003cbr\u003e- Ground-lift switch avoids unwanted signal interference \n\u003cbr\u003e- High-quality “always-on” buffer\n\u003cbr\u003eVERSION HISTORY:\n\u003cbr\u003eV1 = only 2 knobs. no logo. VERY rare. \n\u003cbr\u003eV2 = 3 controls, softer orange color, older orange slice logo \n\u003cbr\u003eV3 = 3 controls, includes LBB via internal dip switch \n\u003cbr\u003eV4 = 4 controls, added an EQ knob, Dirt toggle, XLR output\n\u003cbr\u003eThis pedal requires standard 9V DC Negative power, consumes 32mA, and measures 2.6\"x4.8\"x1.5\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":40979130875978,"sku":"15988","price":329.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/7113\/6842\/files\/15988.jpg?v=1766646313"},{"product_id":"ibanez-pentatone-preamp-ptpre-24415","title":"Ibanez - Pentatone Preamp  - PTPRE","description":"\u003cp\u003eExtraordinary tone shaping control, dynamic arrays of distortion and exceptional amounts of EQ are all laid out at your feet.  The Pentatone preamp from Ibanez affords the perfect blend of features all wrapped up in an intuitive, all-analog platform.  This preamp brings together five individual tone shaping sections in the form of a pre boost, distortion with two band EQ, a noise gate, 5-band parametric EQ, and post boost.  The pedal also includes a bright switch, which enhances treble response by boosting the high frequency range.  The two integrated footswitches control the preamp bypass and post boost functions, while adding an Ibanez IFS2L external foot-switch enhances the player’s control even further by also making the pre-boost and 5-band parametric EQ foot-switchable.  From simple tone shaping, to crunchy overdrive and even the most crushing distortion, the Pentatone preamp covers it all.\u003c\/p\u003e\n\n\u003cp\u003e•  Controls:  PRE BOOST, GAIN, BASS, TREBLE, LEVEL, 5-band parametric EQ frequencies, 5- band parametric EQ levels, POST BOOST, Noise GATE\n\u003cbr\u003e•  Switches:  PRE BOOST on\/off, BRIGHT on\/off, 5-band parametric EQ on\/off, Noise GATE on\/off, BYPASS foot-switch, POST BOOST on\/off foot-switch\n\u003cbr\u003e•  I\/O’s:  INPUT, REMOTE, OUTPUT\n\u003cbr\u003e•  Size:  146(W) x 128(D) x 59(H) (mm)\n\u003cbr\u003e•  Size:  5.8(W) x 5.0 (D) x 2.3 (H) (inch)\n\u003cbr\u003e•  Weight:  1.0kg, 2.2lb\n\u003cbr\u003e•  Required Current:  110mA@9V\n\u003cbr\u003e•  Power Supply:  One 9V battery (006P) or external AC adapter\u003c\/p\u003e\n\n\u003cp\u003eFeatures:\u003c\/p\u003e\n\n\u003cp\u003ePRE BOOST:\n\u003cbr\u003ePushes gain section but can also be used to reduce the input signal level.\u003c\/p\u003e\n\n\u003cp\u003ePOST BOOST:\n\u003cbr\u003eRaises the overall signal level.\u003c\/p\u003e\n\n\u003cp\u003eDEDICATED DISTORTION:\n\u003cbr\u003eIncludes 2-band EQ for bass and treble.  Also has BRIGHT switch that brings out more brightness.\u003c\/p\u003e\n\n\u003cp\u003e5-BAND PARAMETRIC EQ:\n\u003cbr\u003eFor detailed tone shaping.\u003c\/p\u003e\n\n\u003cp\u003eNOISE GATE:\n\u003cbr\u003eWith super-fast response and natural sustain.\u003c\/p\u003e\n\n\u003cp\u003eREMOTE:\n\u003cbr\u003ePRE BOOST and 5-band parametric EQ can also be controlled by Ibanez IFS2L external foot-switch (sold separately).\u003c\/p\u003e","brand":"Ibanez","offers":[{"title":"Default Title","offer_id":40979366182986,"sku":"24415","price":399.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/7113\/6842\/files\/24415.jpg?v=1766623421"},{"product_id":"aguilar-db-925-29240","title":"Aguilar - DB 925","description":"\u003cp\u003eWith intuitive control layouts and powerful feature sets, Aguilar effects pedals give bassists an incredible range of sonic possibilities.  Utilizing inspired design and engineering ensures superior performance without losing low end!\u003c\/p\u003e\n\n\u003cp\u003eCompact, yet packed with tone – get the “Aguilar glow” on your pedalboard!\u003c\/p\u003e\n\n\u003cp\u003eBass Preamp:\n\u003cbr\u003e-  Inspired by its predecessor, the legendary DB 924, this discrete all-FET preamp delivers powerful broadband boost in a lightweight, space saving micro housing.  Its musically sculpted two-band EQ enhances any bass you run through it, adding body and weight to your low-end while opening your high-end.  With its compact design and responsive controls, the DB 925 is the perfect gigging solution for musicians on the go.\u003c\/p\u003e\n\n\u003cp\u003eDB 925 Features:\n\u003cbr\u003e-  All FET design\n\u003cbr\u003e-  Two bands of boost\n\u003cbr\u003e-  Maximum Amount of Boost:  18 db, occurring at 40 Hz for the bass, and 4 kHz for the treble\n\u003cbr\u003e-  Inputs:  One 1\/4″ jack\n\u003cbr\u003e-  Outputs:  One 1\/4″ jack\n\u003cbr\u003e-  Power:  9 V DC\n\u003cbr\u003e-  Heavy-duty steel construction\n\u003cbr\u003e-  Warranty:  Three year limited\n\u003cbr\u003e-  Optional:  9 V power supply\u003c\/p\u003e","brand":"Aguilar Amplification","offers":[{"title":"Default Title","offer_id":40979389775946,"sku":"29240","price":217.95,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/7113\/6842\/files\/29240.jpg?v=1766619671"},{"product_id":"universal-audio-uafx-orion-tape-echo-36963","title":"Universal Audio - UAFX Orion Tape Echo","description":"\u003cp\u003eGuitar Effects Pedal with Three Vintage Tape Delay Emulations, Perfectly Emulated Analog Preamp Circuit and Wow\/Flutter, True\/Buffered Bypass, Preamp On\/Off, and Analog Dry Through\u003c\/p\u003e\n\n\u003cp\u003eThe World's Most Authentic Emulation of a Vintage Maestro Echoplex EP-III* Tape Delay:\n\u003cbr\u003e-  Emerging from our flagship Starlight Echo Station, Orion Tape Echo gives you the magical hazy delay effects of vintage '70s Maestro Echoplex EP-III tape delays, in a classy, compact package.*\u003c\/p\u003e\n\n\u003cp\u003eAdd Authentic Tape Delay to Your Pedalboard:\n\u003cbr\u003e-  Thanks to the same no-compromise algorithms from our award-winning Starlight Echo Station, Orion gives you the rich, three-dimensional effects of a thoroughly emulated vintage tape echo — light years beyond other tape delay pedals in its class.\u003c\/p\u003e\n\n\u003cp\u003eEnjoy Fat Vintage Preamp Tones:\n\u003cbr\u003e-  Perfect for boosting your echoes and adding punch to your entire sound, Orion's faithful emulation of the EP-III's legendary solid-state preamp gives you all the grit and attitude of the vintage effects unit, with one simple control.\u003c\/p\u003e\n\n\u003cp\u003eExperience Analog Bliss with Tape Type, Wow, and Flutter:\n\u003cbr\u003e-  Choose from three sonically distinct versions of the EP-III with Mint, Worn, and Old machine types for color and vibe, and tweak the Wonk control for subtle-to-eccentric modulated repeats and funky tape splice textures.\u003c\/p\u003e\n\n\u003cp\u003eHit the Stage with a Rugged, Compact Stompbox:\n\u003cbr\u003e-  Built for decades of dependable performance, Orion Tape Delay gives you switchable true\/trails bypass, Preamp off\/on and analog dry through controls, for a trusted companion on your interstellar journey.\u003c\/p\u003e\n\n\u003cp\u003eKey Features:\n\u003cbr\u003e-  Authentic emulation of a vintage Maestro EP-III tape echo in a compact stompbox*\n\u003cbr\u003e-  Perfectly captured analog preamp for fat, boosted tones and effects\n\u003cbr\u003e-  Selectable Mint, Worn, and Old tape machines for distinct color and texture\n\u003cbr\u003e-  Wonk control for modulated repeats and vibey tape splice sounds\n\u003cbr\u003e-  Mono operation, true\/trails bypass, Preamp off\/on, analog dry through\n\u003cbr\u003e-  Timeless UA design and craftsmanship, built for decades of dependable performance\u003c\/p\u003e\n\n\u003cp\u003e* All trademarks are property of their respective owners and used only to represent the effects modeled as part of Orion Tape Echo\u003c\/p\u003e\n\n\u003cp\u003eSpecifications:\n\u003cbr\u003e-  Power Requirements:  Isolated 9 V DC, center-negative, 250 mA minimum (sold separately)\n\u003cbr\u003e-  Inputs:  1 x 1\/4” TS unbalanced\n\u003cbr\u003e-  Outputs:  1 x 1\/4” TS unbalanced\n\u003cbr\u003e-  USB type-C for updates via computer\n\u003cbr\u003e-  Height:  5.81 cm \/\/\/ 2.29 inches\n\u003cbr\u003e-  Width:  6.55 cm \/\/\/ 2.58 inches\n\u003cbr\u003e-  Depth:  12.07 cm \/\/\/ 4.75 inches\n\u003cbr\u003e-  Weight:  0.659 lbs \/\/\/ 0.299 kg\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":40979400392778,"sku":"36963","price":239.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/7113\/6842\/files\/36963.png?v=1766616958"},{"product_id":"boss-bp-1w-boost-preamp-waza-craft-42150","title":"Boss - Bp-1w Boost\/Preamp Waza Craft","description":"\u003cp\u003eBp-1w Boost\/Preamp Waza Craft\u003c\/p\u003e\n\n\u003cp\u003ePremium Waza Craft pedal with authentic vintage preamp sounds from the BOSS CE-1 Chorus Ensemble and Roland RE-201 Space Echo.\u003c\/p\u003e\n\n\u003cp\u003eThe vintage BOSS CE-1 Chorus Ensemble and RE-201 Space Echo are legendary for their inspiring and influential effect sounds. But they’re also loved for their variable analog preamp circuitry, which instantly infuses any guitar tone with character, body, and richness. With the BP-1W, you can now access these two classic preamp tones in a premium Waza Craft pedal, along with a natural, clear voice that functions as a standard clean boost.  \u003c\/p\u003e\n\n\u003cp\u003e-\tWaza Craft innovation for a premium analog tone experience\n\u003cbr\u003e-\tPremium booster and preamp pedal with analog circuitry derived from legendary BOSS and Roland effects\n\u003cbr\u003e-\tVersatile design with three selectable modes\n\u003cbr\u003e-\tCE mode reproduces the bright, bell-like preamp sound of the BOSS CE-1 Chorus Ensemble\n\u003cbr\u003e-\tRE mode reproduces the fat, warm preamp sound of the Roland RE-201 Space Echo\n\u003cbr\u003e-\tNAT mode provides a natural clean boost with minimal sound coloration  \n\u003cbr\u003e-\tGain knob controls the amount of saturation introduced into the signal\n\u003cbr\u003e-\tLevel knob for controlling the overall volume and driving the inputs of amps and other pedals\n\u003cbr\u003e-\tSelectable standard or vintage input buffer with different tone and response characteristics\n\u003cbr\u003e-\tMade in Japan\n\u003cbr\u003e-\tBOSS five-year warranty\u003c\/p\u003e\n\n\u003cp\u003eMagical Enhancement\n\u003cbr\u003eFor generations, savvy guitarists have relied on key pieces of analog gear to enhance their core tone. Though discontinued over 30 years ago, the CE-1 and RE-201 remain widely used by many players for their characterful preamps as much as their famous analog effect sounds. These “secret weapons” make the sound richer, fuller, and more satisfying to play, even when their effect processing is bypassed. The BP-1W lets you integrate the magical tone-shaping properties of these legends into your own rig—without having to seek out rare and expensive vintage originals.\u003c\/p\u003e\n\n\u003cp\u003eVersatile Analog Sound Shaping \n\u003cbr\u003eThe BP-1W is one of the most flexible boost pedals available, offering three unique operation modes in a single compact stomp. Along with CE and RE vintage modes, a third mode provides a pristine clean boost when you want to pump the volume without added color. The Gain knob allows you to dial in a range of saturation and drive tones unique to each mode, while the Level knob lets you balance the effect\/bypass sound or push downstream pedal and amp inputs for further tonal enhancement.     \u003c\/p\u003e\n\n\u003cp\u003eChoose Your Tone Color\n\u003cbr\u003eCE—This mode reproduces the CE-1 preamp tone, known for its bright, bell-like character and tight low-end response. Tweak the Gain knob to conjure an array of pleasing tones, from mild to aggressive.\n\u003cbr\u003eRE—This mode reproduces the unique color and response of the RE-201 preamp circuitry. It adds fatness and warmth even at the lowest Gain settings, with increasing saturation as the knob is turned up. You can achieve powerful driven sounds with rich analog compression characteristics, providing foundational vintage color to feed pedals and amps.\n\u003cbr\u003eNAT—Produces a punchy, natural voice with minimal coloration. The modern analog Waza Craft circuitry provides a wide boost range, delivering top performance for any standard clean boost application. \u003c\/p\u003e\n\n\u003cp\u003eTwo Premium Buffers\n\u003cbr\u003eThe BP-1W features high-quality buffer circuitry with two selectable types. Slide the rear panel switch to choose between the pure signal of a standard buffer or a vintage buffer with lower input impedance. The vintage type produces a warmer tone and a smooth dynamic response, with maximum benefits achieved by connecting a guitar with passive pickups directly to the BP-1W’s input. The standard buffer is always engaged for signal conditioning when the pedal is bypassed, regardless of the buffer switch setting.\u003c\/p\u003e\n\n\u003cp\u003eWaza Craft: The Art of Superior Tone\n\u003cbr\u003eSince the beginning, the engineers at BOSS have been committed to achieving the finest guitar tones using any technology necessary, from old-school analog circuits to high-tech DSP. This enthusiastic spirit continues with the Waza Craft series, bringing you exceptional tone and touch response through carefully selected analog components, refined circuitry, and meticulous attention to detail. In Japan, “Waza” is the term for art and technique, and these special edition pedals proudly carry the Waza symbol to represent the pinnacle of BOSS design and craftsmanship.\u003c\/p\u003e","brand":"Boss","offers":[{"title":"Default Title","offer_id":40979435389002,"sku":"42150","price":249.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/7113\/6842\/files\/42150-1699724274.jpg?v=1766607690"},{"product_id":"boss-ir-2-amp-cabinet-44542","title":"Boss - IR-2 Amp\u0026Cabinet","description":"Take Your Signature Sound Everywhere\n\nWhen using a regular guitar amplifier, getting consistent tones in different performance situations can sometimes be a challenge. With the compact and versatile IR-2 in your rig, you’re always ready to deliver your signature sound directly to a house PA or recording setup when needed. Choose from 11 premium amp types paired with Celestion Digital IRs and instantly tweak your sound via simple controls. Use the mono\/stereo loop for post-amp effects and plug in headphones for monitoring and quiet practice. And with onboard USB-C, you can easily interface with music software and load in your favorite cab IRs.\n\n\u003ciframe width=\"520\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/dx1UymnMVwI?rel=0\" title=\"BOSS IR-2 Amp \u0026amp; Cabinet | Take Your Sound Anywhere\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\n\nFeatures\n\n    - Premium amp emulator and cabinet IR loader in a BOSS compact pedal\n    - Exceptional audio quality with 32-bit floating-point processing and 96 kHz sampling rate\n    - Eleven different amp types and high-quality cab IRs from Celestion Digital\n    - Simple user interface with Level, Gain, Bass, Middle, and Treble controls\n    - Ambience effect with dedicated control\n    - Mono input and stereo outputs\n    - Mono\/stereo loop for patching in mod, delay, and reverb effects after the amp emulation\n    - Headphones jack for practice\n    - USB-C for recording and audio playback via a computer or mobile device*\n    - Switch between two amp\/cab tones with the pedal switch or an external footswitch\n    - Dedicated IR-2 IR Loader app (macOS\/Windows) for loading your own cabinet IRs\n    - Amp and cabinet sections can be turned on\/off independently for isolated use\n    - BOSS five-year warranty\n\n\n*Compatibility with all third-party devices and software is not guaranteed.\nIR-2 Amp \u0026amp; Cabinet\nPro Guitar Sounds to Go\n\nThe IR-2 packs the inspiring sounds of classic tube amps and mic’d speaker cabinets in a standard stompbox footprint, giving you easy access to studio-grade tones on quiet stages, fly dates, recording gigs, and practice sessions. Backed by decades of BOSS tone expertise, every selection delivers the same expressive nuance and dynamic touch response of a real amp and cabinet. Audio quality is also top-notch, thanks to advanced DSP, 32-bit floating point processing, and a 96 kHz sampling rate.\n\n\nInspiring Tones for Every Style\nEleven solid platforms dish up every guitar amp flavor, from famous tube combos to vintage and modern stacks. There are also several original BOSS amps, including a high-gain Brown type derived from the Katana series. The amps are all paired with curated Celestion Digital IRs for dialing up polished sounds right away. If you prefer to use cab IRs from your own collection, you can load them into the pedal via USB-C and a dedicated app.\n\nImmediate Sound Creation\nWith the IR-2’s intuitive interface, you’ll be ready to play in seconds. Simply select an amp type and tweak the sound with familiar amp-style controls. Then twist the Ambience knob to add some natural spaciousness and depth if desired. You can plug your other pedals into the IR-2’s input, just like you would with an amp. If you want to go further, use the send\/return loop to patch mod, delay, and reverb effects into the chain after the amp sounds. The TRS return jack supports stereo operation, letting you pass stereo effects to the IR-2’s audio outputs.\n\nPlay and Record Anywhere\nAdding the IR-2 to your pedalboard greatly expands its versatility, giving you a complete guitar sound solution everywhere you play.\n\nPractice and Rehearsal\nConnect headphones and enjoy top-quality guitar tones in every practice session, whether playing at home or traveling on the road. And prepare for upcoming shows with the same pedalboard setup you’ll use on stage. Audio playback from a computer or mobile device is supported via USB-C, allowing you to jam with songs from your music library and follow along with lessons from YouTube and other sources.\n\nStage Performance\nTake the guesswork out of great stage sound and perform with consistent tones in every venue. Sending a feed from the IR-2’s outputs to a house PA system provides a studio-quality signal that’s not affected by the performance environment. And if you need more than one amp sound while performing, you can toggle between two IR-2 amp\/cab setups with the pedal switch or an external footswitch.\n\nRecording\nVia the IR-2’s USB-C connector, send the sound of your complete rig directly to music recording software. Add tracks to full productions in a computer DAW. Or plug into your smartphone and capture inspiration on the move. You can monitor audio from the IR-2 and your software through headphones, eliminating the need to use a separate audio interface.","brand":"Boss","offers":[{"title":"Default Title","offer_id":40979441713226,"sku":"44542","price":289.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/7113\/6842\/files\/ir-2_gal_01.png?v=1778923566"},{"product_id":"strymon-ultraviolet-vintage-vibe-38221","title":"Strymon - UltraViolet Vintage Vibe","description":"\u003cp\u003eVintage Vibe with MIDI Capability\u003c\/p\u003e\n\n\u003cp\u003eQuintessential Vibe:\n\u003cbr\u003e- A warm grittiness to the warble, a rippling, wooshing, bubbling irregularity to the modulation and a dynamic response to your picking are all hallmarks of the true vibe experience\n\u003cbr\u003e- Thicker and chewier than any chorus, earthier than any phaser and uniquely magical in front of a driven amp, the perfect vibe pedal moves you to dig in and play without inhibition\n\u003cbr\u003e- This feeling has been difficult to find outside of large and expensive fully-analog boutique units, but the search for that elusive experience is now over\n\u003cbr\u003e- Delivering vintage vibe tone that’s second to none with simple and powerful controls for instantly obtaining a rich variety of captivating sounds, UltraViolet is the vibe pedal you’ve been looking for\u003c\/p\u003e\n\n\u003cp\u003eVintage Plus:\n\u003cbr\u003e- UltraViolet’s simple and responsive controls provide a wider range of sounds than traditional vibe pedals\n\u003cbr\u003e- In addition to the familiar Chorus (50% wet) and Vibrato (100% wet) settings, there is a new Blend setting (30% wet) for an inspiring variety of more subtle effects\n\u003cbr\u003e- A Bias switch gives you three distinct flavors of sweep shape and tone emphasis, allowing for tons of sonic variation\n\u003cbr\u003e- At slow speeds, the intensity range has been expanded beyond that of traditional vibe circuits to push even further into warmly undulating sonic territory\n\u003cbr\u003e- UltraViolet gives you all the classic vibe tones — and more\u003c\/p\u003e\n\n\u003cp\u003eAll New Algorithm:\n\u003cbr\u003e- For UltraViolet’s new vibe algorithm, all the elements of the classic optical vibe circuit (and their interdependencies) have been meticulously recreated for a dynamic playing response\n\u003cbr\u003e- From the effects of bias, speed and LFO waveshape on the pulsing of the lamp, to the response of the light-dependent resistors that set the center frequencies of the staggered phasing filters, the entire system has been duplicated and carefully tuned to produce the very best sounds a vibe pedal can offer\u003c\/p\u003e\n\n\u003cp\u003eStereo MIDI Rig Ready:\n\u003cbr\u003e- TRS stereo input and output in a dual mono configuration means you can place UltraViolet at any point in your pedal chain with no impact on your stereo image\n\u003cbr\u003e- Full MIDI implementation with 300 available preset locations ensures that UltraViolet is ready for your MIDI rig\n\u003cbr\u003e- In addition to TRS MIDI, there is a USB-C jack for controlling the pedal via MIDI from a computer or for performing firmware updates\n\u003cbr\u003e- For hands-free control without MIDI you can connect an expression pedal for control over any combination of knobs in any direction (Expression pedal controls Speed by default.), or attach an optional external switch for tap tempo or favorite recall\n\u003cbr\u003e- Finally, a high-impedance, ultra-low noise discrete Class A JFET stereo input preamp provides exceptional touch sensitivity, dynamics and feel — all in a rugged and elegantly compact form factor\u003c\/p\u003e\n\n\u003cp\u003eSound Design:\n\u003cbr\u003e- Selectable Bias\n\u003cbr\u003e- Blend Mode\n\u003cbr\u003e- LFO Waveforms\n\u003cbr\u003e- Color Boost\n\u003cbr\u003e- Intensity\u003c\/p\u003e\n\n\u003cp\u003eFeatures:\n\u003cbr\u003e- MIDI\n\u003cbr\u003e- True\/Buffered Bypass\n\u003cbr\u003e- JFET Input\n\u003cbr\u003e- Stereo\n\u003cbr\u003e- ARM Processor\u003c\/p\u003e\n\n\u003cp\u003eSpecs:\u003c\/p\u003e\n\n\u003cp\u003eIns, Outs and Switches\n\u003cbr\u003e- High impedance ultra low-noise discrete Class A JFET TRS stereo input\n\u003cbr\u003e- Low impedance TRS stereo output\n\u003cbr\u003e- Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection\n\u003cbr\u003e- USB jack for controlling via MIDI from a computer or for performing firmware updates\u003c\/p\u003e\n\n\u003cp\u003eAudio Quality\n\u003cbr\u003e- Premium JFET analog front end\n\u003cbr\u003e- Ultra low noise, high performance 24-bit 96 kHz A\/D and D\/A converters provide uncompromising audio quality\n\u003cbr\u003e- 520 MHz ARM Superscalar processor\n\u003cbr\u003e- 32-bit floating point processing\n\u003cbr\u003e- 20 Hz to 20 kHz frequency response\n\u003cbr\u003e- Audio Input Impedance: 1 M Ohm\n\u003cbr\u003e- Audio Output Impedance: 100 Ohm\n\u003cbr\u003e- Typical Signal-to-Noise Ratio: 116 dB\u003c\/p\u003e\n\n\u003cp\u003eMore\n\u003cbr\u003e- Strong and lightweight anodized aluminum chassis\n\u003cbr\u003e- Power Requirements: Maximum 9 Volts DC center-negative, with a minimum of 250 mA (Power supply NOT included)\n\u003cbr\u003e- Dimensions (L x W x H): 4.6” x 2.7” x 2.5” \/\/\/ 11.7 cm x 6.9 cm x 6.4 cm\n\u003cbr\u003e- Designed and built in the USA\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":41060398891082,"sku":"38221","price":375.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/7113\/6842\/files\/38221.jpg?v=1766590644"},{"product_id":"jhs-pedals-colour-box-v2-preamp-eq-overdrive-distortion-fuzz-di-box-copy","title":"JHS Pedals - Colour Box V2 - 10 Year Anniversary Limited Edition","description":"\u003cp\u003eIn 2012, I had a crazy idea for a tone shaping device that had never been done before in the world of guitar pedals. I wanted to create an effects pedal that replicated the hard to achieve sounds of \"direct-in\" electric guitar recordings that I loved. Bands like the Beatles, Spoon, Wilco, and Steely Dan had used this technique for years, but it was nearly impossible to recreate live.\n\u003cbr\u003eI wanted this pedal to transform my guitar rig into the tonal equivalent of a Neve studio console, and that was no small task. After lots of trial and error, experimentation, and re-works, this concept evolved into something far beyond what we had imagined.\n\u003cbr\u003eIn 2014 as we filmed the first demo videos at Abbey Road Studios in London and this idea had evolved into the most unique product we had ever made. The Colour Box was a full-fledged studio-grade preamplifier, EQ, and distortion generator with multi-instrument compatibility. It did what I had always wanted it to do, but it did so much more!\n\u003cbr\u003eOn its release day, I wasn't quite sure how it would be accepted, but I knew that I loved it. As a few months went by, we saw something amazing begin to happen; this pedal was showing up in all types of environments. Producers, engineers, and artists were emailing us, tagging us on socials and showing how they had put the Colour Box to use. Studio vocals, live vocals, kick drums, acoustic guitars, bass, keys, overhead drums, stereo bus's, room mics, synths, re-amps, and some incredibly large stage setups had it on almost every instrument! This unit can be heard on dozens of recordings from U2, Wilco, The National, Spoon, Collective Soul, Muse, to War on Drugs, and Phantogram amongst others. As proud of this pedal as we were, we wanted to make it better, so we did. – Josh Scott\n\u003cbr\u003eversion 2 emerges\n\u003cbr\u003eThe Colour Box V2 has all the same functionality of the V1 with many new and improved additions like expanded EQ controls, a Hi\/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics.\n\u003cbr\u003eThe most significant improvements are:\n\u003cbr\u003eAddition of an Output transformer\n\u003cbr\u003eSafely Passes 48v Phantom Power\n\u003cbr\u003eEQ Shift Knobs for precision EQ control\n\u003cbr\u003eHi\/Lo Switch for ultra clean headroom\n\u003cbr\u003e100% available clean signal even on acoustic guitar\n\u003cbr\u003eSilent switching, aka no \"switch-pop\"\n\u003cbr\u003eRuns on standard 9V DC Neg power\n\u003cbr\u003efeatures \u0026amp; controls\n\u003cbr\u003eThe Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a \"drive\" or \"gain\" control, adding more grit, distortion, and even fuzz as you increase the gain.\n\u003cbr\u003eThe Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18 dB, 2nd is +23 dB, 3rd is +28 dB, 4th is +33 dB, 5th is +39 dB.\n\u003cbr\u003eThe Colour Box V2 has a new Hi \/ Lo switch to control the amount of clean headroom you have available. In the Lo mode, you will easily be able to get ultra clean sounds without breakup. Lo Mode is excellent for tone shaping when distortion is not needed. In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion, and fuzz sounds.\n\u003cbr\u003eIn addition to the Hi \/ Lo gain switch, there is a -20dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high output microphones.\n\u003cbr\u003eMOST POWERFUL EQ YET\n\u003cbr\u003eThe EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls. The classically labeled EQ knobs adjust the amount of frequencies that get boosted and cut, while the Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control.\n\u003cbr\u003eEQ Functions\n\u003cbr\u003eTreble Knob - Cut\/Boost Control +\/-15dB flat at noon. CCW cuts, CW boosts.\n\u003cbr\u003eMiddle Knob - Cut\/Boost Control +\/- 10dB flat at noon. CCW cuts, CW boosts.\n\u003cbr\u003eBass Knob - Cut\/Boost Control +\/-15dB flat at noon. CCW cuts, CW boosts.\n\u003cbr\u003eFrequencies controlled by EQ Shift Knobs:\n\u003cbr\u003eTreble Shift - 2kHz to 30kHz – CCW lowers the center Freq, CW raises the center Freq.\n\u003cbr\u003eMiddle Shift - 150Hz to 2.4kHz – CCW lowers the center Freq, CW raises the center Freq.\n\u003cbr\u003eBass Shift - 20Hz to 440Hz – CCW lowers the center Freq, CW raises the center Freq.\n\u003cbr\u003eThe Hi-Pass section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob. The HPF is a 2nd order 6dB per octave highpass filter. The -3dB cutoff freq (The Frequency at which the filter starts to act) can be adjusted from 160Hz to 650Hz.\n\u003cbr\u003eXLR AND OUTPUT\n\u003cbr\u003eThe Colour Box V2 has a combination XLR and 1\/4\" input jack to use either an instrument or microphone. Select your input with the input selector switch on the right side of the pedal labeled INST\/XLR.\n\u003cbr\u003eThe Colour Box v2 runs only on standard 9V DC Negative power (do not plug in anything greater than 9v) and measures 5.7” x 3.75” x 1.85\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":41676598509642,"sku":"83710","price":645.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/7113\/6842\/files\/15pJHS-Pedals-ColourBox-10Yr.png?v=1766554925"},{"product_id":"jhs-pedals-424-gain-stage","title":"JHS Pedals - 424 Gain Stage","description":"\u003cp\u003ePreamp \/ Distortion \/ Overdrive:\u003c\/p\u003e\n\u003cp\u003e- The 424 Gain Stage gives all the elastic, lo-fi tone you get from plugging a guitar rig straight into a Tascam® Portastudio® 424. Now in pedal form, you can easily integrate the rubbery clean tones, high head room, and smashed out fuzz that's being repopularized by today's emerging guitarists.  \u003c\/p\u003e\n\u003cp\u003e- The original Portastudios® were made famous in the '80s and '90s, and gave us the ability to bring our songs to life from the comfort of our cluttered bedrooms. These multi-track recorders meant for home studios found their way onto hit records like Springsteen's Nebraska, the Wu-Tang Clan's Enter the Wu-Tang, and Spoon's Gimme Fiction. Many of the vocal parts and fuzzy guitar tracks on Gimme Fiction – a huge inspiration for the creation of the Colour Box – were actually recorded on a Portastudio®. Since hearing those recordings, the 424 Gain Stage has been brewing in the background, and now we're proud to bring it to you.\u003c\/p\u003e\n\u003cp\u003e- In this historically accurate recreation, we perfectly replicated the original 424 MKI® circuit using the original UPC4570 and NJM4565 op-amps and all the original controls, which is crucial for recreating the unique character that makes the old units sound so good.  The Portastudio's® gain controls – trim, channel volume, \u0026amp; master volume – all work in tandem for dialing up your desired tone and can be further refined with the Low and High EQ settings. In addition, our unit offers a 1\/4\" output alongside a balanced XLR output (DI out) for ultimate flexibility in any situation, live or studio.\u003c\/p\u003e\n\u003cp\u003eThe 424 Gain Stage as a DI:\u003c\/p\u003e\n\u003cp\u003e- Going DI will give you the exact same unparalleled gooey texture and lo-fi fuzz you get when plugging directly into a 424® without the hassle of dragging around your beloved Portastudio®. Leave it on your recording desk for easy access. If you want to get fancy,  you can toss an Active A\/B\/Y switcher at the end of your rig and send the A output to your amp and the B output to the JHS 424 Gain Stage input, then XLR output of the pedal directly into your mixer or interface. This way, you can flip between your amp and the 424 Gain Stage easily or play through both at the same time. Give it a try! \u003c\/p\u003e\n\u003cp\u003eThe 424 Gain Stage with an Amp:\u003c\/p\u003e\n\u003cp\u003e- Plugging a Portastudio® into your amp is quite a feat. In this pedal format, you can easily integrate the tone of the 424 with the saturation of your favorite amp. This adds a whole new quality to the tone and gives the ability to stack it with your other pedals. Use it as a gain stage to boost your signal, a unique and colorful new overdrive sound, or push the gain knobs into full-on overloaded and broken fuzz. \u003c\/p\u003e\n\u003cp\u003eControls:\u003c\/p\u003e\n\u003cp\u003e- Volume (Corresponds to Portastudio® Master): Controls the output volume. Left is less, right is more. On the Portastudio 424, this is the Master fader.\u003cbr\u003e- Gain 1 (Trim): Sets how much preamplification will be added to the input signal. On the Portastudio 424, this is the Trim control.\u003cbr\u003e- Gain 2 (Channel): Sets the volume level of the 2nd gain stage. On the Portastudio 424, this is the Channel fader.\u003cbr\u003e- Bass: Cuts or boosts bass frequencies. Left is less, right is more.\u003cbr\u003e- Treble: Cuts or boosts the treble frequencies. Left is less, right is more.\u003cbr\u003e- Input: Top 1\/4\" right jack.\u003cbr\u003e- Output: Top 1\/4\" left jack.\u003cbr\u003e- XLR Output: XLR jack on the left side of the pedal. This is a balanced output which can be used as a direct-out straight into a mixer or interface. The 1\/4\" output and XLR output can be used simultaneously.\u003cbr\u003e- Ground Lift: Dip switch on the left side of the pedal. If you experience a hum\/buzz while using the XLR output, use this switch to lift the ground.\u003cbr\u003e- Power: Requires 9-V DC center-negative power and consumes 50 mA.\u003c\/p\u003e\n\u003cp\u003e* The 424 Gain Stage is silent, soft-touch switching with a buffered bypass.\u003cbr\u003e* This pedal measures 2.6\" x 4.8\" x 1.6\" and consumes 50 mA. Do not use more than 9 V DC. Damage may occur and your warranty will be voided.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42406189989962,"sku":"85870","price":349.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/7113\/6842\/files\/JHSPedals_424GainStageFront_1100x_dbc31b89-b07d-4cbd-9ec5-721bdfa6dba7.png?v=1766538375"},{"product_id":"tech21-sansamp-xb-driver","title":"Tech21 - Sansamp XB Driver","description":"The SansAmp XB Driver is the culmination of over 30 years designing gear for bass. We have integrated key elements from our most popular bass products –the SansAmp Bass Driver DI, Para Driver DI, Q\\Strip and the dUg Pinnick Ultra Bass 1000– and condensed them into a single sleek machine. And just like that, you can go from traditional to diabolical.\n\nThe 100% analog, dual-channel SansAmp XB Driver is a veritable vault of treasured bass tones. It is a sophisticated dual-amp, bi-amp, DI toolbox with 15 knobs and 3 switches. Intuitively arranged, like familiar amplifier controls, you can craft a broad range of bass tones without a PhD. The Clean and Drive channels are full-frequency, independent channels that can be used individually or blended together via the Mix footswitch. In Mix mode, you can engage the crossover switch to activate the sweepable LPF \u0026amp; HPF filters, which enables you to even further carve out your own tone footprint.\n\nWhile inspired predominantly by dUg Pinnick, the SansAmp XB Driver also gives a nod to other bass tone innovators such as Geddy Lee, John Entwistle and Chris Squire. All were notorious for running entirely separate, complicated bass amp systems together in a way that defied common logic yet yielded magical results. We applaud these heros and all they’ve achieved, and thank them for motivating us to develop the SansAmp XB Driver.\n\nAs is the case with all Tech 21 products, the controls are designed to give you maximum flexibility to obtain your desired sound. It is our hope that the SansAmp XB Driver will be a useful addition to your arsenal for stimulating your creativity and, ultimately, playing your best.\n\nEACH CHANNEL FEATURES:\nBASS, TREBLE \nActive tone controls that cut or boost from 12 o’clock, +\/-12dB.\n\nMID SHIFT \u0026amp; MID \nSweepable, semi-parametric EQ controls range from 100 Hz to 2 kHz, +\/-16dB.\n\nLEVEL\nAdjusts the output level without altering any of the tonal characteristics.\n\nMASTER VOLUME\nAffects the overall volume of both channels.\n\nCLEAN CHANNEL FEATURES:  \nCOMP\nUtilizes old school, all-analog, FET-based technology from the ‘ 50s and ’60s, which is inherently warmer, more transparent, and more musical than other methods of compression.\n\nDRIVE CHANNEL FEATURES:\nDRIVE\nAdjusts the overall amount of gain and overdrive.\n\nBITE SWITCH\nActivates a presence boost to tighten up the sound in distorted settings and add definition in clean settings.\n\nPRE\/POST SWITCH\nChanges the placement of the mid-range.\n\nCROSSOVER SWITCH\nEngages the LPF and HPF when in Mix mode.\n\n____________________________________________\n\nBUILT-IN SPEAKER\/CAB SIM: The 100% analog SansAmp Tube Amplifier Emulation technology encompasses the entire signal chain, from pre-amp to power amp to speaker simulation. An integral part of the circuitry, the SansAmp speaker simulation will complement any type of guitar or bass speaker cabinet system. You can also place an external IR after a SansAmp to give additional flavor if you so desire. The SansAmp speaker sim is designed and individually tailored for a smooth, even response as would be achieved by a multiply-miked cabinet –without peaks, valleys, and notches associated with single miking and many IRs.\n____________________________________________\n\nApplications:\n• As a stompbox with an amp\n• As a pre-amp to drive a power amp\n• Direct to a mixer of a PA\n• Record direct to your computer\n\nTechnical Stuff:\n• 1\/4-inch tuner output\n• 1\/4-inch effect send \u0026amp; return (affects both channels)\n• 1\/4-inch 4.7 megOhm instrument level input\n• 1\/4-inch unbalanced low Z universal output with 10dB boost\n• Balanced low Z XLR output with mic\/line level switch and ground lift\n• Rugged, all-metal housing\n• Metal knobs, footswitches and jacks\n• Silent-switching, custom footswitch actuators\n• Measures 7.5”l x 4.75”w x 2.0”h\n• Utilizes included 18V DC power supply (Tech 21 Model #DC18), 250mA, 100-240V universal auto-switching power supply with interchangeable international plugs for use anywhere in the world.","brand":"Tech 21 NYC","offers":[{"title":"Default Title","offer_id":42668352667722,"sku":"78248","price":699.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/7113\/6842\/files\/XB_Driver_Rev2_Graphics-2048x1733.png?v=1766529665"},{"product_id":"fishman-mod-b-ii-pre-bass-ba2","title":"Fishman - Mod B II Pre  Bass BA2","description":"The Fishman Mod B II Pre is a compact, high-quality preamp designed for acoustic bass and other amplified instruments. Featuring a three-band EQ, phase switch, and volume control, it delivers transparent tone shaping with minimal noise. The rugged construction and intuitive controls make it ideal for live performance and studio recording. Perfect for musicians seeking professional amplification without compromising the natural acoustic character of their instrument.","brand":"Fishman","offers":[{"title":"Default Title","offer_id":43344071917642,"sku":"83645","price":74.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/7113\/6842\/files\/71PyvKIoB9L._AC_SL1200.jpg?v=1772209554"},{"product_id":"radial-ac-driver-pre-r800-7322","title":"Radial - Ac Driver Pre - R800 7322","description":null,"brand":"Radial","offers":[{"title":"Default Title","offer_id":43344072802378,"sku":"1816","price":259.99,"currency_code":"CAD","in_stock":true}]},{"product_id":"ga-earthquaker-zeqd-preamp","title":"EarthQuaker Devices - ZEQD-Pre™ - The All-Analog Simulation Solution","description":"\u003cdiv id=\"yui_3_17_2_1_1779867472669_74\" class=\"row sqs-row\"\u003e\n\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cdiv id=\"block-33e12123924dcc9f95c8\" data-sqsp-block=\"text\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv data-sqsp-text-block-content=\"\" class=\"sqs-html-content\"\u003e\n\u003cp\u003eThis all-analog tube preamplifier brings together EarthQuaker Devices’ innovative pedal design and Dr.\u0026amp;nbsp;Z Amplification’s decades of tube amp expertise. With a passive three-band EQ, professional headphone output, balanced XLR output, and onboard analog cabinet simulation, the ZEQD-Pre delivers authentic tube warmth and dynamic response in a complete analog amplifier system that fits right on your pedalboard.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePractice Amp with Headphones\u003c\/strong\u003e\u003cbr\u003eThe headphone output features built-in analog cabinet simulation for a realistic amp feel during quiet practice sessions. Enjoy the full EF86 tube character without disturbing your housemates.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDirect Amplifier via XLR\u003c\/strong\u003e\u003cbr\u003eRun the balanced XLR output straight into any console or interface and use the ZEQD-Pre as your main amp. The analog cabinet simulation is there when you need it, or flip the Cab Bypass switch to send a pure signal to your preferred IR loader or modeling software. Perfect for direct recording, backline-free gigs, or hybrid rigs with multiple signal paths.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlexible Routing\u003c\/strong\u003e\u003cbr\u003eAll outputs work simultaneously, even when the pedal is bypassed. Send your signal to an amp, route a direct feed to front-of-house, and monitor through headphones—all at once. This routing flexibility makes the ZEQD-Pre an invaluable studio tool.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Technical Side\u003c\/strong\u003e\u003cbr\u003eUnlike the common 12AX7 triode (two elements plus cathode), the EF86 pentode has four internal elements plus cathode. This structure yields measurably superior performance:\u003cbr\u003e- Gain Factor of 185: Significantly higher than comparable triodes\u003cbr\u003e- 44V RMS Output: Substantial voltage swing for enhanced dynamics\u003cbr\u003e- Extended Frequency Response: Full-spectrum clarity from deep lows to detailed highs\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat This Means for You\u003c\/strong\u003e\u003cbr\u003eThese specifications translate directly to playing experience:\u003cbr\u003e- Touch Sensitivity: The EF86 responds to every dynamic nuance in your playing. Play lighter and it cleans up; dig in and it blooms. Natural expression that follows your hands.\u003cbr\u003e- Full-Frequency Clarity: Extended response means harmonic richness without sacrificing definition. Bass notes stay tight, highs remain bell-like and clear.\u003cbr\u003e- Responsive EQ: Higher voltage and broader bandwidth let the passive Three-Band EQ shape your tone effectively with minimal signal loss. The interactive controls behave like classic tube amp tone stacks—predictable and musical across their entire sweep.\u003cbr\u003e- The EF86 brings hi-fi performance to tube preamplification while staying responsive and musical.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003cbr\u003e- Boost: Use the Boost rotary knob for volume control when the Boost is active and the tone controls are bypassed. Boost mode is very loud! Be careful when setting the Boost level, especially when using headphones or XLR out.\u003cbr\u003e- Boost Footswitch: This footswitch defeats the tone controls and delivers a full-range boost without altering the frequency response. This switch is only active when the Activate footswitch is on.\u003cbr\u003e- Headphone Output: A TRS (Stereo) ¼” headphone jack is located on the left side. Use the Level control to adjust headphone level when the pedal is active. The headphone output works as a unity gain amplifier with cabinet simulation even when the pedal is bypassed.\u003cbr\u003e- Direct Output: A balanced XLR output is located on the left side of the pedal.\u003cbr\u003e- Ground Lift Switch: Press this switch on the left side of the pedal for ground lift on the XLR output.\u003cbr\u003e- Cab Sim Bypass Switch: Press this switch on the left side of the pedal to remove the analog cabinet simulation on the XLR output.\u003cbr\u003e- Level: Use the Level rotary knob to adjust the output volume when the tone controls are active.\u003cbr\u003e- Bass: Use the Bass rotary knob to adjust the frequency range from 20\u0026amp;nbsp;Hz to 400\u0026amp;nbsp;Hz.\u003cbr\u003e- Middle: Use the Middle rotary knob to adjust the frequency range from 400\u0026amp;nbsp;Hz to 2\u0026amp;nbsp;kHz.\u003cbr\u003e- Treble: Use the Treble rotary knob to adjust the frequency range from 2\u0026amp;nbsp;kHz to 20\u0026amp;nbsp;kHz.\u003cbr\u003e- Activate Footswitch: Use this footswitch to activate or bypass the ZEQD-Pre.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Steve's Music Store","offers":[{"title":"Default Title","offer_id":43577633996874,"sku":"86577","price":529.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0586\/7113\/6842\/files\/ZEQD-Pre-Analog-Tube-Preamp.png?v=1779867573"}],"url":"https:\/\/stevesmusic.com\/collections\/preamps.oembed","provider":"Steve's Music Store","version":"1.0","type":"link"}