Loud. Raw. Thick. Incredible Tone-Shaping.

The Priestess takes the best of the various versions of the BMP and combines them into a singular sonic assault.

– 1st Gain Stage – Pharaoh. Higher headroom input results in great stacking possibilities

– 2nd Gain Stage – Green Russian results in a solid attack and bottom end

– 3rd Gain Stage – NYC Reissue with Creamy Dreamer Mod gives a high-gain stage with a bit of squish

– Tone Controls – Violet Ram’s Head for a pleasant vocal midrange

– 4th Gain Stage – LSTR. High output

This anthology of circuit stages along with a Mids control that goes from deep scoop to slightly boosted Mids and two toggles for control of clipping diodes gives tones from dynamic and open fuzz to compressed singing sustain.

– Tone – Full-range tone control. Turn it left for low-end emphasis, turn right for high-end emphasis

– Mids – Turn left for supa-scooped sounds, right for mid-presence

– With Tone full-left and Mids full-right, you can achieve the mid-forward boost settings

– With Tone and Mids pointed towards each other, you’ll get scooped tones

– Left Toggle – Controls clipping diodes on the 2nd Stage. "Off" bypasses the diodes for a Supa Tonebender-style clipping arrangement, Clip 1 for standard silicon clipping

– Right Toggle – Controls clipping diodes on the 3rd Stage. "Off" bypasses the diodes for an open and dynamic sound like the Pharaoh bypass option, Clip 2 for standard silicon clipping

You’ll find the Priestess the perfect counterpart to The Pharaoh:

– Equally powerful

– Equally adjustable

– Equally effective